Sculpture in the Close

Works include a seat that masquerades as a giant book, two giant steel totem-like objects and an abstract aluminium representation of rabbits.

‘Sculpture in the Close' is the 10th in a series of biennial sculpture exhibitions held at the College featuring British contemporary artists, from established names through to up-and-coming talent.

Highly regarded sculptor Bill Woodrow's four bronze and stone works include the mesmerising ‘Endeavour,' a piece that at first glance looks like a cannon but is actually composed of a mixture of objects. He has also contributed the interactive ‘Sitting on History,' a giant book that opens up to create a seating area.

Marc Quinn's three powerful yet disturbing works are based upon rabbit carcasses in bronze - standing, reclining and lounging.

Younger sculptor Roger Hiorns has also contributed three abstract, minimalist works of a geometric nature, including ‘Bunnies,' a representation in aluminium of two forms that resemble rabbits.

Other sculptures include a neon installation by internationally recognised Cerith Wyn-Evans, two large and ritually significant totem-like works in steel by John Gibbons and ‘Support Work' by newcomer Christine Borland - a large tubular steel structure depicting the system that supported the ancient tree on the island of Cos, under which Hippocrates taught medicine.

“We are delighted to be hosting this particular combination of artists this year,” said Dr Rod Mengham, Curator of the exhibition, “the show includes some landmark works alongside innovative new pieces right at the cutting edge of British sculpture.”

Entry to Sculpture in the Close is free, via the Porters' Lodge at the Jesus Lane entrance to Jesus College.