What do we mean when we say that someone has ‘classical’ good looks? Are male nudes in art appropriate viewing for family audiences? In looking at the arguments ignited by the opening, in 1854, of an exhibition of Greek and Roman statuary, Dr Kate Nichols explores the ways in which notions of beauty, morality and gender are intertwined.
Sixteenth-century woodcuts often depict young men wearing striped doublets or striped hose. When historian of science Tillmann Taape embarked on a journey into the meaning of stripes, he discovered that artists used them to mark out people who were neither rich and educated nor poor and illiterate – but something in between.
The Cambridge Animal Alphabet series celebrates Cambridge's connections with animals through literature, art, science and society. Here, G is for Greyhound – as heraldic symbols of the Tudors' right to rule, and as part of important research into treatments for osteosarcoma in dogs and humans.
Dr John Leigh has written the first book exclusively devoted to the duel in literature. In Touché, he offers a compelling picture of the ways in which novelists, playwrights and poets have used duelling as a trope to reveal the extent of manly valour, trickery and sheer foolishness.
A new book tells, for the first time in full, the extraordinary story of drawings of embryos initially published in 1868. The artist was accused of fraud – but, copied and recopied, his images gained iconic status as evidence of evolution.
The Cambridge Animal Alphabet series celebrates Cambridge's connections with animals through literature, art, science and society. Here, E is for Elephant: an animal that takes pride of place in the Parker Library's manuscripts, is frequently in conflict with people in Thailand and parts of Africa, and is the focus of some important conservation projects.