An exhibition of early colour printing in Germany shines a light on the ways in which technology jump-started a revolution in image making. The British Museum show is curated by Dr Elizabeth Savage, whose research makes a radical contribution to an understanding of colour in woodcuts.
An event next Monday (18 January 2016) will give the public a chance to experience at first hand the technologies that have enabled archaeologists to create 3D visualisations of images etched into rock thousands of years ago. The day-long event is free and open to all.
A heavyweight addition has joined the ranks at the Museum of Classical Archaeology after a cast of the Terme Boxer was placed on display.
Almost 40 years have passed since Bhupen Khakhar painted one of the most iconic paintings in the history of Indian modern art. Dr Devika Singh offers fresh insights into a generation of Indian artists whose work reflects the politics and social turmoil of a fascinating era.
The Cambridge Animal Alphabet series celebrates Cambridge's connections with animals through literature, art, science and society. Here, S is for Sheep and their presence in the evocative, pastoral paintings by Samuel Palmer.
Youth arts group Circuit Cambridge, run jointly at Kettle’s Yard and Wysing Arts Centre, has announced a free one-day festival on Saturday 10 October dedicated to artistic exploration of the city.
A banknote from 1380 that threatens decapitation, a set of 17th-century prints so delicate they had never been opened, and 3000-year-old ‘oracle bones’ are now freely available for the world to view on the Cambridge Digital Library.
What do we mean when we say that someone has ‘classical’ good looks? Are male nudes in art appropriate viewing for family audiences? In looking at the arguments ignited by the opening, in 1854, of an exhibition of Greek and Roman statuary, Dr Kate Nichols explores the ways in which notions of beauty, morality and gender are intertwined.