Works by some of the leading artists of the 20th and 21st centuries – including Ben Nicholson, Alfred Wallis, LS Lowry and Helen Frankenthaler – are to go on display in Cambridge as Kettle’s Yard celebrates 50 years as part of the University of Cambridge.
A new exhibition has reunited the iconic photography of Herbert Ponting with the watercolours of Edward Wilson – more than a century after the two Antarctic explorers first dreamt up their plan for a joint exhibition.
The Almoravid and Almohad empires flourished in the western Mediterranean of the 11th and 12th centuries. Despite controlling vast tracts of land, these Berber dynasties are little known in the English-speaking world. In her latest book, Dr Amira Bennison looks at the rise and fall of Berber empires that made a lasting contribution to the history of Islamic culture.
An art partnership project between Kettle’s Yard, one of Britain’s best art galleries, and North Cambridge Academy opens its doors to the public on 24 June 2016.
An exhibition at the National Portrait Gallery features paintings of some of Russia’s legendary creative figures. Russia and the Arts, which draws attention to a generation of overlooked artists, is curated by Dr Rosalind P Blakesley. This month also sees the launch of Blakesley’s new book, The Russian Canvas, a work set to expand our understanding of a century of painting through periods of remarkable social and political change.
A team of experts has pieced together the architectural context of two treasures of Renaissance art in the National Gallery collection. The research behind the 3D-visualisation combines traditional and digital methods – and benefits from invaluable input from the local community.
Today, one of the great collections of art in the UK celebrates its bicentenary. Two hundred years to the day of his death, the Fitzwilliam Museum has revealed previously unknown details of the life of its mysterious founder, Richard 7th Viscount Fitzwilliam of Merrion.
An exhibition of early colour printing in Germany shines a light on the ways in which technology jump-started a revolution in image making. The British Museum show is curated by Dr Elizabeth Savage, whose research makes a radical contribution to an understanding of colour in woodcuts.
An event next Monday (18 January 2016) will give the public a chance to experience at first hand the technologies that have enabled archaeologists to create 3D visualisations of images etched into rock thousands of years ago. The day-long event is free and open to all.