A banknote from 1380 that threatens decapitation, a set of 17th-century prints so delicate they had never been opened, and 3000-year-old ‘oracle bones’ are now freely available for the world to view on the Cambridge Digital Library.
What do we mean when we say that someone has ‘classical’ good looks? Are male nudes in art appropriate viewing for family audiences? In looking at the arguments ignited by the opening, in 1854, of an exhibition of Greek and Roman statuary, Dr Kate Nichols explores the ways in which notions of beauty, morality and gender are intertwined.
The Cambridge Animal Alphabet series celebrates Cambridge's connections with animals through literature, art, science and society. Here, G is for Greyhound – as heraldic symbols of the Tudors' right to rule, and as part of important research into treatments for osteosarcoma in dogs and humans.
Only briefly in vogue, the codpiece has left a rich legacy in art, literature and – most recently – in televised costume drama. In focusing her attention on this ostentatious male accessory, PhD candidate Victoria Miller has developed some new ideas about its evolution (and demise) as a symbol of virility.
Research into England’s oldest medieval altarpiece – which for centuries provided the backdrop to Westminster Abbey coronations – has revealed that it cost no more than the rather unprincely equivalent of eight cows.