A show at the Fitzwilliam Museum featuring the work of contemporary British artists Michael Landy and George Shaw explores the places in between town and country where nature takes a hold on no man's land and weeds find niches in the concrete.
A lecture tomorrow by Professor Hung Wu is a rare opportunity to hear an eminent Chinese scholar talk about the ways in which the country's artists have responded to huge social and political change over the last 40 years.
In the fourth report of our Egg Cetera series on egg-related research, conservator Spike Bucklow describes how far the simple egg has extended the richness and splendour of paintings.
Looting of antiquities from archaeological sites is a serious crime. A fully-booked talk at Cambridge Science Festival on Thursday will unearth some of the dirty secrets of the illicit trade in precious objects and ask tricky questions about the relationships between looters, dealers and museums.
Almost 100 years after the outbreak of World War I, public opinion about war in many of the countries that fought appears to have shifted completely. Historian Jay Winter explains how poetry, art and film have been crucial to that process of transformation.
This year's Darwin Lectures address the theme of life. Tonight's speaker, Cambridge academic Dr Robert Macfarlane, will discuss “Life in Ruins” in art and literature. He will begin with a thought experiment, described below, and go on to explore the roles that ruins play in our hopes and fears.
Vermeer's Women: Secrets and Silence has achieved record-breaking attendance figures at the Fitzwilliam Museum,
Cambridge, with more than 130,000 visitors to the Museum since the exhibition opened in October.
The conventional colours of Christmas - red and green - are not, as many might suppose, a legacy of the Victorians. Instead, they hark back to the Middle Ages and perhaps even earlier, according to Cambridge research scientist Dr Spike Bucklow.
Archaeological research reveals that 13,000 years before CBeebies hunter-gatherer children as young as three were creating art in deep, dark caves alongside their parents.