Music is more than just sound. Sharing many features with language, it has all the hallmarks of a communicative system, as Cambridge researchers are showing.
A “total immersion” event in Cambridge this weekend marks the climax of a conference examining the work of performers and their creative role in making music.
The voices of the artistic elite of Stalin's Soviet Union, among them Dmitri Shostakovich, are being heard afresh in a new comprehensive study of a unique collection of transcripts.
A pioneering research centre studying live musical performance as creative practice launches in the Faculty of Music in October with funding from the Arts and Humanities Research Council (AHRC).
Why does one violin sound different to another? Investigating this question has brought together researchers from music, engineering, experimental psychology and computer science.
The details entered on this page will not be used to send unsolicited email and will not be passed on to any 3rd party for any reason. Privacy policy
